The art critic wanders purposefully around the gallery, passing instant, scathing judgment on the surrounding artworks.
Full marks are allocated to a portrait photography collection, a hand-drawn anime on a screen and the coloring-in tables. But one definite no-no? A video installation in a dark room ¡ª as reflected by a refusal to enter, floods of tears and cries for ¡°Mama.¡±
There are perhaps few more potentially traumatic places for parents to take babies and young children than inside the pristine confines of an art gallery. Maybe it¡¯s the white walls, the hushed atmosphere, the endless ¡°Don¡¯t touch¡± signs and the invaluable artworks within dangerously close grabbing, smearing or smashing distance of little hands.
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