One of the most frustrating aspects of English-language publishing is the antipathy directed at short stories and novellas. Publishers won¡¯t take on these forms because they don¡¯t sell as well. Writers of shorter forms are advised to turn them into novels. As a result, bookstores are full of novels, pushing short stories and novellas into ever-shrinking corners.
The traditional outlet ¡ª the literary journal ¡ª has effectively been pushed online where people expect content for free, further inflaming an unfair but long-standing sense that there is a hierarchy of prose fiction, in which the novel sits at the top of the ladder. It¡¯s a self-perpetuating cycle that does no one any good.

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