Many people today who listen to ¡°city pop,¡± a bubbly take on funk, disco and dance pop that came out during Japan¡¯s economic heyday, can only imagine how dizzying it might have been to see the glitz and excess of the 1980s and ¡®90s. Radio DJ and personality Kamasami Kong lived it.

¡°Every night was a party. Every night was a disco or a nightclub or a bar with friends, and every morning was a hangover,¡± he tells The Japan Times. While his days were occupied with MCing events at malls or beaches outside of Tokyo, ¡°after that, we¡¯d come back into the city and go to a studio. I¡¯d be recording something for this artist or that artist, or doing a radio or television show. It all happened so fast ... it was a blur.¡±

He and I talk for over four hours at a Mexican restaurant in Toranomon Hills on a warm June night, though I spend most of that time soaking in stories about Kong meeting Prince at an Osaka nightclub or having to organize a last-minute afterparty for Paul McCartney. The 72-year-old Kong wasn¡¯t just a witness to Japan¡¯s halcyon days but an active participant in its music industry ¡ª particularly in shaping the city pop sound.