From the bizarrely ¡°localized¡± titles to the media events featuring random TV personalities who aren¡¯t even in the film, Japanese distributors use some peculiar strategies to promote Hollywood movies to an increasingly indifferent public.

Still, it¡¯s fair to say that Warner Bros. Japan outdid themselves when they tapped veteran monster illustrator Yuji Kaida to make a domestic poster for ¡°Kong: Skull Island.¡± While the artwork for the movie¡¯s international release consciously mimics the aesthetic of ¡°Apocalypse Now,¡± in Japan it¡¯s been given a full B-movie makeover. Kaida¡¯s poster is a real wonder: a garish, flame-wreathed collage of monsters and painted savages, crowned with an image of King Kong himself crushing a helicopter in one hand.

For once, at least, Japanese cinemagoers are getting the more honest sell. ¡°Kong: Skull Island¡± is a barmy mash-up that attempts to graft a gritty war movie onto a matinee monster flick, and while it never convinces in the former respect, for untrammeled mayhem it more than delivers.