The photographer and I have been waiting for about half an hour to interview Gabriel Orozco. It¡¯s a little disappointing, but that¡¯s OK. Orozco has famously made disappointment part of his creative practice. While waiting we chat about how much we have been impressed and influenced by the artist¡¯s work, and also about the press conference last week, where Orozco was also late and stared fiercely at the crowd of journalists like a cornered honey badger until the microphone broke down, at which point his mood lightened and a mischievous and comedic side emerged.
When Orozco does appear, he is relaxed and cordial. He¡¯s been to Japan before on several occasions, but this time he plans on staying for six months. I ask him why Japan?
Is there something about this country that holds particular resonance for your work?
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