There¡¯s nothing like a deadline to pull things into focus. ¡°When you¡¯re making music on a computer, it¡¯s hard to know when to stop ¡ª you could keep going forever,¡± says Hirotaka Umetani. ¡°It helps to have a cut-off point.¡±
For the 28-year-old Tokyo resident, who performs under the name Albino Sound, that cut-off point was March 18, 2014: the application deadline for this year¡¯s Red Bull Music Academy. Umetani spent two months working on the tracks that he submitted with his application, a pair of instrumentals in which layers of gauzy melody drift and billow over a rapid rhythmic pulse, like listening to Brian Eno while running up an escalator. He also poured himself into the application form, scribbling out a detailed chronicle of his varied musical obsessions.
The judges were sufficiently impressed to offer him a place among the Academy¡¯s 60 participants, selected from a field of more than 6,000 candidates. Never mind that the tracks he¡¯d sent were the first things he¡¯d ever produced on a computer.
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